Quote:
Originally Posted by tdaniel
a little. I mean there were parts where I was merely enthralled as opposed to totally agog. Then there was the fact that as soon as you started talking about the creative nature of your childhood, it broke my daughter's pouty funk and she joined my wife and I. I mean - it caused family time...ugh. Then my wife was still talking about it at nearly midnight, we had c-o-n-v-e-r-s-a-t-i-o-n because of it. it was okay. i'd like to see everyone give it another go.
and man the house erupted when the credits rolled! thanks for that David.
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It is good for me to hear how people react to this because I know I can't really be objective about it.
I've seen several cuts of it, and each time I asked the director to show less and less of me, and cut to shots of my art while I'm talking instead of me showing me talking. I know I'm not objective about it, and thougth I was seeing too much of myself.
They were very patient and accomodating with me about those things while still being passionate about showing a kind of drama that the director felt was inherent in the face time of the interview and for him was part of the magic of what he wanted in the film.
I've heard myself talk before, so I can't tell if it is interesting to others.
So it is interesting to get the feedback.
And very glad you liked the credits

I tried to include people that have been helpful or influential with my work etc. I knew I would forget some names, and I realized after I sent the list and the DVD was made that I forgot to include Ryan Graff who was very helpful in desiging some logos (Scarab, etc) that were used in sculpture packaging and the Scarab series.
And thanks again for the daily work on the Daily Kabuki pages at Newsarama. It seems to be working for people and generating new Kabuki readers as a port of entry to the story.
Looking forward to saying hi in Seatle