
Originally Posted by
stealthwise
I think that the best we're going to get with continuous, corporate owned characters are potential endings.
For example, three of my favourite Superman stories are Secret Identity, All-Star Superman and Whatever Happened to the Man of Tomorrow? The first of those three is a "what if?" that technically doesn't involve the standard DCU Clark Kent, but I count it anyways, because it's awesome.
All three involve a very straight-forward, this is the end kind of ending (All-Star is the most open-ended for his return, although Morrison kind of indicates when Superman will come back, and it's not for a long time). The nice part is, when it's done, that's it. You can close the book and go back and re-read it, time and again, and enjoy.
No matter what anyone else says, or writes later, no matter how many disavowals of the canonicity of the comic, no matter how many retcons, etc, it's done. You have that story and it's finished.
On the other hand, if you felt that Spider-Man: Reign was a tepid pile of cat piss, then you can safely ignore it as a "What if?" or "Elseworlds" or whatever. It shouldn't affect how you read and view the character.
I'd love to see a great finale for every character, because the only "The End" for Marvel that I read and enjoyed was the Punisher's, which is how I'll always see Frank going out. That, combined with the Long Cold Dark and Valley Forge.
I'll always have Alan Moore's final Swamp Thing storyline, and no matter how many mediocre runs of the same book get published afterwards, I have his and Abby's happy ending. They had a happy ending.
What's that?
No, I said they had a happy ending dammit.
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