Hey Michael, you've worked with some great writers...

[dEnny!]

Dean Motter on Terminal City and Batman: Nine Lives, Ed Brubaker on Scene of the Crime, Gotham Central and Captain America, Steven Seagle on Sandman Mystery Theatre, Greg Rucka on Gotham Central, and Bendis on The Pulse.

How were the styles of these writers different? Did they give you a lot of room to do what you wanted or were their scripts pretty detailed and to the letter?

Just curious what your feelings are on these experiences and the various creators you've worked with are. I'm not expecting to uncover some dirt.

[dEnny!]

I'm also curious do you prefer the monthly format or doing an original graphic novel?

[Michael Lark]

DEnny, these are great questions - and I WILL answer them. But I don't have time today for the kind of in-depth answer I'd like to give. Next week. :)

[dEnny!]

DEnny, these are great questions - and I WILL answer them. But I don't have time today for the kind of in-depth answer I'd like to give. Next week. :)

We've got all the time in the world. You can make up for it by showing us a sneak peak at the page you are working on.

[Olivier E.]

I got a question too, in Pulse 10 that lady the daily bugle editor with the blue skin, who's it?

[Michael Lark]

My fingers are tired from answering the art supply thread. I'll get to this one later. :)

[dEnny!]

My fingers are tired from answering the art supply thread. I'll get to this one later. :)

:torch: I am burning with rage.




Take your time. :)